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Artists
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on More
in each listing for extended Biographies.
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Lorraine
Audric
A.B.D.
EHESS
Lorraine Audric Art Historian, A.B.D. EHESS-Paris. Born and raised abroad,
mostly in Asia, Lorraine discovered Paris intimately while studying art
history at the Ecole du Louvre, a school which holds most of its classes
directly in and around museums and monuments. . . . More
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Jules
Beckman
libertivore
Jules
is an interdisciplinary artist making work, teaching & touring steadily
in new dance, performance and circus since 1987. . . . More
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Liz
Claire
MADE
in France
Since 1994, Liz Claire has performed and choreographed in works of contemporary
dance theater in New York and Europe. . . More
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David
Dorfman
David
Dorfman Dance
Connecticut
College Dance Dept.
The
company, David Dorfman Dance, considered one of the most influential
American contemporary dance companies for the past two decades, has
been permanently named company-in-residence at Connecticut College beginning
in Fall, 2007.
. . . More
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David
Marchant
Washington
U in St. Louis
Zo Motion Arts
David is a Senior Lecturer, on the faculty of Washington University in
St. Louis since 1994, specializing in aesthetic theory, technique, composition
and improvisation in the concert art of contemporary dance.
...More
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Antoine Melchior
Antoine Melchior is a documentary film director, video editor, and actor. He lives and works in Paris where he collaborates with a variety of artists on video projects. . . .More
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Dominique
Montain
Au Cul du Loup
Champs Mélisey
From singing to composing, from dance to theater, Dominique Montain,
polymorphic performing artist, explores and experiments across disciplines.
Along with Henri Ogier, she recently founded Champs Mélisey,
a creative bed & breakfast “atelier” in Burgundy hosting
artistic and meditative residencies for contemporary artists of all
disciplines. . . .More
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Henri
Ogier
Au
Cul du Loup
Champs Mélisey
Set
designer, musician and contemporary luthier, Henri is co-artistic director
with Dominique Montain and Quentin Ogier of Company Au
Cul du Loup.
. . . More
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